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Technicolor CineStyle - Before and After



I've been getting a lot of messages in the last few days from people asking me about the 'Technicolor CineStyle' Picture Style (profile) that was used for this video, what it does and why should they use it. The experts in video always said to shoot video in a "flat" setting, so you would have more room to work with later on. The reason for this is because our video camcorders and Digital SLRs (that shoot video) like to use in-camera sharpness, contrast and brightness to create what it feels is the best image. This is great if you don't plan on grading your footage later, but for those of us who want to manipulate the footage later, shooting flat will give us more room to work with. It's almost like the equivalent of shooting 'raw' when you take still shots with a digital SLR camera. You could use your own custom "flat" settings, but why bother, when Technicolor have taken all the guess work out of it?

OK, so enough talk.. I thought why not just show a you guys a video that displays the before and after shots together, in order to get a better idea - check it out below.



As you can see from the video, I could have added all sorts of grading and manipulated the video even more, but I just wanted to demonstrate what could be done by applying only the "S-Curve" that Technocolor recommends and nothing else.  Simply doing that just made the colours so much more vibrant, kept all of the depth, preserved detail and made the images just 'pop' out of the screen

You can read more about Technicolor CineStyle here:
http://www.technicolor.com/en/hi/cinema/filmmaking/digital-printer-lights/cinestyle

Canon EF 50mm f/1.8 II - UNBOXING & sample shots



My canon 50mm f/1.8 II lens arrived today. This little beauty is also known as the "Nifty Fifty" by some people. It's affordable, but produces some beautiful shots. This I am told, would be a nice camera to start with and learn how to "frame" my shots, as it has no zoom function.

After carrying out much research on which 50mm lens to buy, I went for this over the 1.4, which for me would have been HUGE overkill.. not to mention, it's three times the cost of the 1.8 I got. I think this will be more than adequate, especially as I am just a beginner with SLR cameras.

Check out the unboxing video below. I noticed that with this camera, it is not so forgiving if you don't take the time to properly focus. This is something I will need to train myself to do, coming from the typical point-and shoot cameras I've always used.

* Unfortunately, this is yet another boring video made just for the hardcore fans and my photographer friends out there.



I will shoot some video with it over the weekend.. this should be fun!

You can read more about the lens here and also check out some impartial customer reviews on Amazon etc.:
http://www.canon.co.uk/For_Home/Product_Finder/Cameras/EF_Lenses/Standard_and_Medium_Telephoto/EF_50mm_f1.8_II/

Day 2: The Lake - a Canon EOS 550D / Rebel T2i film


Sunday was an amazingly HOT day in London and surprisingly, it didn’t rain every 10 minutes either (this happens after we get some sun over here), so I used that as an excuse to go the park and get some random shots of the lake, trees and nature etc.

What I learned today, which I did not during the previous day of shooting, was how to manually change the aperture, shutter speed and ISO on the camera. I’m not an expert by any means, but I think the video came out rather nice.

Here it comes - the obligatory “Nature Video” that every videographer / photographer just has to make. I’m no different from any of those guy either, but there are no close ups of flowers in this video (for now)! 

Day 1: Shooting with my Canon EOS 550D / Rebel T2i


I told myself to wait until the weekend to play with the new camera, but who am I kidding, would you wait if you got this during the week? So I took my new baby with me to work and shot some random stuff at the train station, at the office and at Leadenhall Market in London, which has some nice architecture.

My Canon EOS 550D (Rebel T2i) & unboxing video


I’ve been eying up this camera for over a year and came to the realisation that with the release of the Canon 60D and 600D, the 550D (T2i) has become cheaper than ever (including a £30 cashback summer offer from Canon UK).

The wait it finally over.. Enough web searching and dreaming and talking about getting it. I took the plunge and ordered my camera with the 18-55mm Lens kit. Now I plan on learning to make movies using the Canon DSLR. BIG things coming!

Here is the authentic unboxing video of my camera – not one of those unboxing videos where the person has already opened the box and peeped inside (what’s the fun in that?!) lol.





NOTE: This video is very boring, so only watch it if you consider yourself the most hardcore DSLR fan or somebody looking to buy this camera. I am not experienced with unboxing videos, so didn’t know what else to say, sorry!

DSLR Video and why it's important!


OK, so I admit I'm late to the party!

These were all shot on Canon DSLR's. Check them out and get your creative juices flowing!!!

Short review and low-light test (Canon EOS 550D/T2i) --- WATCH FROM 7:39

Cardboard Warfare (Rebel T2i)



Location scout (Canon EOS 550D/t2i)



DSLR Actionfilm (Canon 550D/Rebel t2i/7D)



Flower Warfare - Psychedelic Action Scene (Canon 7D)

Gareth Edwards.. My hero!



Chances are that you haven't heard of this man, but if you're into filmmaking or special effects, you should know about him. He has inspired me more than any other filmmaker in recent time.

Making films is no longer exclusivity for the wealthy and you can now make an entire feature length movie, packed full of special effects with prosumer level equipment (HD camcorder, lens adapter etc) and a PC with Adobe Premier and After Effects. YES, I said PC.. not A Mac with Final Cut Pro or an Avid setup.
Note: I'm not bashing Mac's, but what I'm trying to highlight is that they are not needed to get the job done (Mac Pro would be nice if you can afford it).

This has all been possible due to working with digital rather than film. It's cheaper and a lot faster than in years past. Working with film is very expensive and requires a lot of extra skill and required training, which is not easy to come by.

A few years back, Gareth directed and did all the visual effects for a BBC docudrama "Attila The Hun" and from the looks of the show, you would think it cost millions of dollars and years to shoot - looking more like something out of Lord of The Rings than something made on a tiny TV budget. Gareth did all the visual effects in his bedroom.

Check out the videos below for Attila The Hun:

Atilla The Hun - Visual Effects breakdown:


Fast forward a couple of years and he now has his Sci-Fi feature lengh movie coming to cinemas, called 'Monsters'. Once again, he directed this and created all the visual effects by himself.

"Monsters" - Trailer:

The making of 'Monsters':

Behind the Scenes:

Why am I going all fanboy on this? Well, its because Gareth Edwards is living his dream, which happens to be a dream a lot of us share. The difference is that he's actually getting out there and doing it by himself. He didn't wait for Hollywood to come calling or wait to get his big break. Instead, he just learnt the skills that usually cost studios a lot of money (video editing. compositing, visual effects etc.) and went out and did it himself - thereby becoming a one man production team!

Director and cast interview:







Monsters Q&A with Gareth Edwards

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